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856.4.0.u: https://www.revistas.unam.mx/index.php/inter/article/view/47848/43024

100.1.#.a: Cejudo, Sonia

524.#.#.a: Cejudo, Sonia (2014). Writing, Body, and Voice in Puga’s Diary of Pain. INTER DISCIPLINA; Vol. 2 Núm. 3, 2014: Cuerpos. Recuperado de https://repositorio.unam.mx/contenidos/58906

245.1.0.a: Writing, Body, and Voice in Puga’s Diary of Pain

502.#.#.c: Universidad Nacional Autónoma de México

561.1.#.a: Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades, UNAM

264.#.0.c: 2014

264.#.1.c: 2014-04-25

506.1.#.a: La titularidad de los derechos patrimoniales de esta obra pertenece a las instituciones editoras. Su uso se rige por una licencia Creative Commons BY-NC-ND 4.0 Internacional, https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.es, para un uso diferente consultar al responsable jurídico del repositorio por medio del correo electrónico rev.interd@unam.mx

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520.3.#.a: This paper analyzes the construction of an embodied subject in María Luisa Puga’s Diary of Pain.Having as a benchmark psychoanalytical theories, it is noticed that the symptoms of rheumatoid arthritis caused in Puga a feeling of dispossession of the body, which is reinforced when she finds difficult to communicate or express her suffering.Focusing on the process of writing, it is shown that while in the first entries Puga depicts herself as a passive and silent character, such conception changes as she continues writing about her experience of pain.At the end of the book, Puga represents herself not only as a writer in pain, but of pain.The aim is to demonstrate that, in Diary of Pain, although the feeling of dispossession leads to an explicit figuration of a disembodied subject, María Luisa Puga does embody her writing through her own literary voice.

773.1.#.t: INTER DISCIPLINA; Vol. 2 Núm. 3 (2014): Cuerpos

773.1.#.o: https://www.revistas.unam.mx/index.php/inter/index

022.#.#.a: ISSN: 2395-969X; ISSN electrónico: 2448-5705

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264.#.1.b: Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades, UNAM

doi: https://doi.org/10.22201/ceiich.24485705e.2014.3.47848

handle: 6f84299e3d35ec42

harvesting_date: 2023-08-23 17:00:00.0

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245.1.0.b: Writing, Body, and Voice in Puga’s Diary of Pain

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Artículo

Writing, Body, and Voice in Puga’s Diary of Pain

Cejudo, Sonia

Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades, UNAM, publicado en INTERdisciplina, y cosechado de Revistas UNAM

Licencia de uso

Procedencia del contenido

Entidad o dependencia
Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades, UNAM
Revista
Repositorio
Contacto
Revistas UNAM. Dirección General de Publicaciones y Fomento Editorial, UNAM en revistas@unam.mx

Cita

Cejudo, Sonia (2014). Writing, Body, and Voice in Puga’s Diary of Pain. INTER DISCIPLINA; Vol. 2 Núm. 3, 2014: Cuerpos. Recuperado de https://repositorio.unam.mx/contenidos/58906

Descripción del recurso

Autor(es)
Cejudo, Sonia
Tipo
Artículo de Investigación
Área del conocimiento
Multidisciplina
Título
Writing, Body, and Voice in Puga’s Diary of Pain
Fecha
2014-04-25
Resumen
This paper analyzes the construction of an embodied subject in María Luisa Puga’s Diary of Pain.Having as a benchmark psychoanalytical theories, it is noticed that the symptoms of rheumatoid arthritis caused in Puga a feeling of dispossession of the body, which is reinforced when she finds difficult to communicate or express her suffering.Focusing on the process of writing, it is shown that while in the first entries Puga depicts herself as a passive and silent character, such conception changes as she continues writing about her experience of pain.At the end of the book, Puga represents herself not only as a writer in pain, but of pain.The aim is to demonstrate that, in Diary of Pain, although the feeling of dispossession leads to an explicit figuration of a disembodied subject, María Luisa Puga does embody her writing through her own literary voice.
Idioma
spa
ISSN
ISSN: 2395-969X; ISSN electrónico: 2448-5705

Enlaces