dor_id: 4138637

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590.#.#.d: Los artículos enviados a la revista "Bitácora Arquitectura", se juzgan por medio de un proceso de revisión por pares

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650.#.4.x: Multidisciplina

336.#.#.b: article

336.#.#.3: Artículo de Divulgación

336.#.#.a: Artículo

351.#.#.6: https://www.revistas.unam.mx/index.php/bitacora/index

351.#.#.b: Bitácora Arquitectura

351.#.#.a: Artículos

harvesting_group: RevistasUNAM

270.1.#.p: Revistas UNAM. Dirección General de Publicaciones y Fomento Editorial, UNAM en revistas@unam.mx

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856.4.0.u: https://www.revistas.unam.mx/index.php/bitacora/article/view/69445/61471

100.1.#.a: Robbers, Lutz

524.#.#.a: Robbers, Lutz (2018). Mies: A Fighter for Film. Bitácora Arquitectura; Núm. 40, 2018: Cine y arquitectura; 48-57. Recuperado de https://repositorio.unam.mx/contenidos/4138637

245.1.0.a: Mies: A Fighter for Film

502.#.#.c: Universidad Nacional Autónoma de México

561.1.#.a: Facultad de Arquitectura, UNAM

264.#.0.c: 2018

264.#.1.c: 2019-05-08

506.1.#.a: La titularidad de los derechos patrimoniales de esta obra pertenece a las instituciones editoras. Su uso se rige por una licencia Creative Commons BY-NC-ND 4.0 Internacional, https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.es, para un uso diferente consultar al responsable jurídico del repositorio por medio del correo electrónico bitacoraunam@gmail.com

884.#.#.k: https://www.revistas.unam.mx/index.php/bitacora/article/view/69445

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041.#.7.h: spa

520.3.#.a: At the beginning of 1931, a short article entitled “Film fighter from the outside” appeared in the industry magazine Film-Kurier. In the introductory sentence, the author, who remains anonymous, asks: “How does Mies van der Rohe come to film? - Not a difficult question to answer: As a person who takes a stand on the spiritual things of the time, he naturally also addresses questions of film.” But the article neither explains what Mies’s involvement with film was, nor how the architect and then Bauhaus director became interested in film. And even today the assumption of an affinity between Mies and film is anything but self-explanatory. Neither the research on Mies, nor the field of research of ‘architecture and film’ covered by architecture theorists and film scholars has so far dealt in detail with the question of a possible relationship between Mies and the new visual medium. This shortcoming can be explained above all by the fact that his buildings, drawings and published writings do not contain any direct references to film. Although he apparently was a regular moviegoer, Mies built neither cinema theaters nor film sets. Nor did he take part in film productions or wrote movie scripts. This is exactly what many other representatives of the avant-garde did in the 1920s: Hans Poelzig and Robert Mallet-Stevens designed film sets, Bruno Taut integrated film projectors into some of his buildings, built innovative “daylight cinemas”, patented a vertical cinema for reclining viewers, and wrote screenplays; Le Corbusier used film as a propaganda tool to spread his architectural and urban planning ideas.

773.1.#.t: Bitácora Arquitectura; Núm. 40 (2018): Cine y arquitectura; 48-57

773.1.#.o: https://www.revistas.unam.mx/index.php/bitacora/index

022.#.#.a: ISSN electrónico: 2594-0856; ISSN impreso: 1405-8901

310.#.#.a: Cuatrimestral

300.#.#.a: Páginas: 48-57

264.#.1.b: Facultad de Arquitectura, UNAM

doi: https://doi.org/10.22201/fa.14058901p.2019.40.69445

handle: 72b726ef7e50f8ae

harvesting_date: 2023-08-23 17:00:00.0

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245.1.0.b: Mies: a Fighter for Film

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Artículo

Mies: A Fighter for Film

Robbers, Lutz

Facultad de Arquitectura, UNAM, publicado en Bitácora Arquitectura, y cosechado de Revistas UNAM

Licencia de uso

Procedencia del contenido

Entidad o dependencia
Facultad de Arquitectura, UNAM
Revista
Repositorio
Contacto
Revistas UNAM. Dirección General de Publicaciones y Fomento Editorial, UNAM en revistas@unam.mx

Cita

Robbers, Lutz (2018). Mies: A Fighter for Film. Bitácora Arquitectura; Núm. 40, 2018: Cine y arquitectura; 48-57. Recuperado de https://repositorio.unam.mx/contenidos/4138637

Descripción del recurso

Autor(es)
Robbers, Lutz
Tipo
Artículo de Divulgación
Área del conocimiento
Multidisciplina
Título
Mies: A Fighter for Film
Fecha
2019-05-08
Resumen
At the beginning of 1931, a short article entitled “Film fighter from the outside” appeared in the industry magazine Film-Kurier. In the introductory sentence, the author, who remains anonymous, asks: “How does Mies van der Rohe come to film? - Not a difficult question to answer: As a person who takes a stand on the spiritual things of the time, he naturally also addresses questions of film.” But the article neither explains what Mies’s involvement with film was, nor how the architect and then Bauhaus director became interested in film. And even today the assumption of an affinity between Mies and film is anything but self-explanatory. Neither the research on Mies, nor the field of research of ‘architecture and film’ covered by architecture theorists and film scholars has so far dealt in detail with the question of a possible relationship between Mies and the new visual medium. This shortcoming can be explained above all by the fact that his buildings, drawings and published writings do not contain any direct references to film. Although he apparently was a regular moviegoer, Mies built neither cinema theaters nor film sets. Nor did he take part in film productions or wrote movie scripts. This is exactly what many other representatives of the avant-garde did in the 1920s: Hans Poelzig and Robert Mallet-Stevens designed film sets, Bruno Taut integrated film projectors into some of his buildings, built innovative “daylight cinemas”, patented a vertical cinema for reclining viewers, and wrote screenplays; Le Corbusier used film as a propaganda tool to spread his architectural and urban planning ideas.
Idioma
spa
ISSN
ISSN electrónico: 2594-0856; ISSN impreso: 1405-8901

Enlaces