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100.1.#.a: Pimentel, Luz Aurora

524.#.#.a: Pimentel, Luz Aurora (2008). Los celos en Proust y Shakespeare: un caso de voyeurismo narrativo. Anuario de Letras Modernas; Vol. 14, 2007-2008; 51-62. Recuperado de https://repositorio.unam.mx/contenidos/56899

245.1.0.a: Los celos en Proust y Shakespeare: un caso de voyeurismo narrativo

502.#.#.c: Universidad Nacional Autónoma de México

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520.3.#.a: Voyeurism is often the mise en scene the jealous man builds in his imagination both to goad and relish in his anguish at the thought of his/her beloved being possessed by the rival—real or imaginary. The mise en scene may also be real or imaginary but the spatial parameters and the conditions of visibility are always the same: the lover, always excluded from the joys of those who he thinks are betraying him physically separated from the scene he just watches in intolerable pain, even if it is in his "mind’s eye". But what happens when a fourth party comes into play? A mediator who narrates the scene for the jealous lover? This is the extraordinarily convoluted situation in two otherwise culturally and temporally very different works dealing with jealousy: William Shakespeare’s Othello, and Marcel Proust’s A la recherche du temps perdu. The element of narrative introduces a disturbing factor in the already complex triangular relationship amongst the lover, the beloved and the rival—which is never as unidirectional as it seems—because the narrator himself is not a disinterested party. Such a complex inter action among four actors—subjects and objects of desire by turns—further mediated by an act of voyeurism, is what I have, somewhat facetiously, I admit, called jealousy as a case of narrative voyeurism.

773.1.#.t: Anuario de Letras Modernas; Vol. 14: (2007-2008); 51-62

773.1.#.o: http://revistas.filos.unam.mx/index.php/anuariodeletrasmodernas

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300.#.#.a: Páginas: 51-62

264.#.1.b: Facultad de Filosofía y Letras, UNAM

doi: https://doi.org/10.22201/ffyl.01860526p.2008.14.672

handle: 00b5b63187673048

harvesting_date: 2023-06-20 16:00:00.0

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Artículo

Los celos en Proust y Shakespeare: un caso de voyeurismo narrativo

Pimentel, Luz Aurora

Facultad de Filosofía y Letras, UNAM, publicado en Anuario de Letras Modernas, y cosechado de Revistas UNAM

Licencia de uso

Procedencia del contenido

Entidad o dependencia
Facultad de Filosofía y Letras, UNAM
Revista
Anuario de Letras Modernas
Repositorio
Revistas UNAM
Contacto
Revistas UNAM. Dirección General de Publicaciones y Fomento Editorial, UNAM en revistas@unam.mx

Cita

Pimentel, Luz Aurora (2008). Los celos en Proust y Shakespeare: un caso de voyeurismo narrativo. Anuario de Letras Modernas; Vol. 14, 2007-2008; 51-62. Recuperado de https://repositorio.unam.mx/contenidos/56899

Descripción del recurso

Autor(es)
Pimentel, Luz Aurora
Tipo
Artículo de Investigación
Área del conocimiento
Artes y Humanidades
Título
Los celos en Proust y Shakespeare: un caso de voyeurismo narrativo
Fecha
2009-07-31
Resumen
Voyeurism is often the mise en scene the jealous man builds in his imagination both to goad and relish in his anguish at the thought of his/her beloved being possessed by the rival—real or imaginary. The mise en scene may also be real or imaginary but the spatial parameters and the conditions of visibility are always the same: the lover, always excluded from the joys of those who he thinks are betraying him physically separated from the scene he just watches in intolerable pain, even if it is in his "mind’s eye". But what happens when a fourth party comes into play? A mediator who narrates the scene for the jealous lover? This is the extraordinarily convoluted situation in two otherwise culturally and temporally very different works dealing with jealousy: William Shakespeare’s Othello, and Marcel Proust’s A la recherche du temps perdu. The element of narrative introduces a disturbing factor in the already complex triangular relationship amongst the lover, the beloved and the rival—which is never as unidirectional as it seems—because the narrator himself is not a disinterested party. Such a complex inter action among four actors—subjects and objects of desire by turns—further mediated by an act of voyeurism, is what I have, somewhat facetiously, I admit, called jealousy as a case of narrative voyeurism.
Idioma
spa
ISSN
ISSN impreso: 0186-0526

Enlaces