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100.1.#.a: García Gallegos, Herson; Acuña Morales, Laura; Espinoza García, Carolina; Bello Martínez, Itzel Araceli

524.#.#.a: Evaluación De Fotografías De Mujeres Y Hombres En Función De Su Estatus Y El De Su Obra (2022). Acta de Investigación Psicológica; Vol. 12 Núm. 3; 46-57. Recuperado de https://repositorio.unam.mx/contenidos/4137420

245.1.0.a: Evaluación De Fotografías De Mujeres Y Hombres En Función De Su Estatus Y El De Su Obra

502.#.#.c: Universidad Nacional Autónoma de México

561.1.#.a: Facultad de Psicología, UNAM

264.#.0.c: 2022

264.#.1.c: 2022-12-01

506.1.#.a: La titularidad de los derechos patrimoniales de esta obra pertenece a las instituciones editoras. Su uso se rige por una licencia Creative Commons BY-NC-ND 4.0 Internacional, https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.es, para un uso diferente consultar al responsable jurídico del repositorio por medio del correo electrónico aip.psicologia@unam.mx

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520.3.#.a: Although a third party’s sex should be irrelevant in assessing her/his competence, the judgment is commonly influenced by a gender bias, which tends to be anti-feminine. However, certain factors could mitigate that bias. The purpose of the study was to find out if a gender prejudice appears if not only the sex of alleged photographers is manipulated, but also their status (professional or amateur) and that of their photograph (winner or entry in a prestigious contest). Participants (N = 397 Mexican adults, 18 to 79 years old) judged eight abstract photographs on its creativity, overall quality, and emotional impact and on the photographer’s competence and artistic future. The same photographs were included in one of eight different series. In each series each photograph included a different combination of the three manipulated variables. An anti-feminine bias was found from both women and men participants when both the photographer and their work had a high status, regardless of the aspect evaluated. When the status of either the photographer or of the photograph was low, the bias was pro-feminine or anti-masculine. Although the status of the photographer and of her/his work mitigated the antifeminine prejudice, it persisted when women were as successful as men.

773.1.#.t: Acta de Investigación Psicológica; Vol. 12 Núm. 3 (2022); 46-57

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doi: https://doi.org/10.22201/fpsi.20074719e.2022.3.462

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245.1.0.b: Assessment Of Photographs From Women And Men Considering Their Status And That Of Their Work

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Artículo

Evaluación De Fotografías De Mujeres Y Hombres En Función De Su Estatus Y El De Su Obra

García Gallegos, Herson; Acuña Morales, Laura; Espinoza García, Carolina; Bello Martínez, Itzel Araceli

Facultad de Psicología, UNAM, publicado en Acta de Investigación Psicológica, y cosechado de Revistas UNAM

Licencia de uso

Procedencia del contenido

Cita

Evaluación De Fotografías De Mujeres Y Hombres En Función De Su Estatus Y El De Su Obra (2022). Acta de Investigación Psicológica; Vol. 12 Núm. 3; 46-57. Recuperado de https://repositorio.unam.mx/contenidos/4137420

Descripción del recurso

Autor(es)
García Gallegos, Herson; Acuña Morales, Laura; Espinoza García, Carolina; Bello Martínez, Itzel Araceli
Tipo
Artículo de Investigación
Área del conocimiento
Artes y Humanidades
Título
Evaluación De Fotografías De Mujeres Y Hombres En Función De Su Estatus Y El De Su Obra
Fecha
2022-12-01
Resumen
Although a third party’s sex should be irrelevant in assessing her/his competence, the judgment is commonly influenced by a gender bias, which tends to be anti-feminine. However, certain factors could mitigate that bias. The purpose of the study was to find out if a gender prejudice appears if not only the sex of alleged photographers is manipulated, but also their status (professional or amateur) and that of their photograph (winner or entry in a prestigious contest). Participants (N = 397 Mexican adults, 18 to 79 years old) judged eight abstract photographs on its creativity, overall quality, and emotional impact and on the photographer’s competence and artistic future. The same photographs were included in one of eight different series. In each series each photograph included a different combination of the three manipulated variables. An anti-feminine bias was found from both women and men participants when both the photographer and their work had a high status, regardless of the aspect evaluated. When the status of either the photographer or of the photograph was low, the bias was pro-feminine or anti-masculine. Although the status of the photographer and of her/his work mitigated the antifeminine prejudice, it persisted when women were as successful as men.
Idioma
spa
ISSN
ISSN electrónico: 2007-4719; ISSN impreso: 2007-4832

Enlaces