dor_id: 60360

506.#.#.a: Público

561.#.#.u: http://www.iifilologicas.unam.mx/

650.#.4.x: Artes y Humanidades

336.#.#.b: article

336.#.#.3: Artículo de Investigación

336.#.#.a: Artículo

351.#.#.6: https://revistas-filologicas.unam.mx/tlalocan/index.php/tl

351.#.#.b: Tlalocan

351.#.#.a: Artículos

harvesting_group: RevistasUNAM

270.1.#.p: Revistas UNAM. Dirección General de Publicaciones y Fomento Editorial, UNAM en revistas@unam.mx

590.#.#.c: Open Journal Systems (OJS)

270.#.#.d: MX

270.1.#.d: México

590.#.#.b: Concentrador

883.#.#.u: http://www.revistas.unam.mx/front/

883.#.#.a: Revistas UNAM

590.#.#.a: Coordinación de Difusión Cultural, UNAM

883.#.#.1: https://www.publicaciones.unam.mx/

883.#.#.q: Dirección General de Publicaciones y Fomento Editorial, UNAM

850.#.#.a: Universidad Nacional Autónoma de México

856.4.0.u: https://revistas-filologicas.unam.mx/tlalocan/index.php/tl/article/view/173/173

100.1.#.a: Chamoreau, Claudine

524.#.#.a: Chamoreau, Claudine (2004). El encuentro del tabardillo. Introducción a algunos procesos narrativos en purépecha. Tlalocan; Vol. 14, 2004. Recuperado de https://repositorio.unam.mx/contenidos/60360

245.1.0.a: El encuentro del tabardillo. Introducción a algunos procesos narrativos en purépecha

502.#.#.c: Universidad Nacional Autónoma de México

561.1.#.a: Instituto de Investigaciones Filológicas, UNAM

264.#.0.c: 2004

264.#.1.c: 2011-12-08

506.1.#.a: La titularidad de los derechos patrimoniales de esta obra pertenece a las instituciones editoras. Su uso se rige por una licencia Creative Commons BY-NC 4.0 Internacional, https://creativecommons.org/licenses/by-nc/4.0/legalcode.es, fecha de asignación de la licencia 2011-12-08, para un uso diferente consultar al responsable jurídico del repositorio por medio del correo electrónico iiflweb@unam.mx

884.#.#.k: https://revistas-filologicas.unam.mx/tlalocan/index.php/tl/article/view/173

001.#.#.#: oai:tlalocan.ojs.132.247.70.44:article/173

041.#.7.h: spa

520.3.#.a: The traditional December festivities in the community of Tiríndaro are described by the narrator, the late Agustín Téllez. Don Agustín with his wife had immigrated to Mexico City some time earlier, but they maintained continued contact with their community. Tata Agustín’s knowledge and great interest in Purepecha, the language, culture and music, motivated him to return for festivities whenever possible. Claudine Chamoreau points out that the account centers on the collection of a wild plant, takari (Piquieiria trinervia), known in Spanish as “tabardillo”, used to decorate the Purepecha houses and cover the floors during the Christmas festivities. The traditional collection provides an opportunity for both young and old generations to spend time together and in this way strengthens family ties. Tata Agustín also describes the ‘dance of the old men’ or Toro that takes place at this time, in which the dancers are accompanied by a character called the maringuía. Chamoreau describes certain characteristics of Purepecha discourse and grammar present in the text, in particular the role of the infinitive, and in addition provides an interlineal linguistic analysis; she also includes ethnographic commentary and reflections about the functions of the practice in the Purepecha community. The traditional December festivities in the community of Tiríndaro are described by the narrator, the late Agustín Téllez. Don Agustín with his wife had immigrated to Mexico City some time earlier, but they maintained continued contact with their community. Tata Agustín’s knowledge and great interest in Purepecha, the language, culture and music, motivated him to return for festivities whenever possible. Claudine Chamoreau points out that the account centers on the collection of a wild plant, takari (Piquieiria trinervia), known in Spanish as “tabardillo”, used to decorate the Purepecha houses and cover the floors during the Christmas festivities. The traditional collection provides an opportunity for both young and old generations to spend time together and in this way strengthens family ties. Tata Agustín also describes the ‘dance of the old men’ or Toro that takes place at this time, in which the dancers are accompanied by a character called the maringuía. Chamoreau describes certain characteristics of Purepecha discourse and grammar present in the text, in particular the role of the infinitive, and in addition provides an interlineal linguistic analysis; she also includes ethnographic commentary and reflections about the functions of the practice in the Purepecha community.

773.1.#.t: Tlalocan; Vol. 14 (2004)

773.1.#.o: https://revistas-filologicas.unam.mx/tlalocan/index.php/tl

046.#.#.j: 2021-11-25 00:00:00.000000

022.#.#.a: ISSN impreso: 0185-0989

310.#.#.a: Anual

264.#.1.b: Instituto de Investigaciones Filológicas, UNAM

758.#.#.1: https://revistas-filologicas.unam.mx/tlalocan/index.php/tl

doi: https://doi.org/10.19130/iifl.tlalocan.2004.173

handle: 6f7fab2ea5a4dc19

harvesting_date: 2021-11-25 00:00:00.0

856.#.0.q: application/pdf

245.1.0.b: El encuentro del tabardillo. Introducción a algunos procesos narrativos en purépecha

last_modified: 2021-11-25 22:20:00

license_url: https://creativecommons.org/licenses/by-nc/4.0/legalcode.es

license_type: by-nc

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