dor_id: 4124730

506.#.#.a: Público

590.#.#.d: La revista emplea un sistema de arbitraje doble ciego. Cada artículo será revisado por dos dictaminadores externos

510.0.#.a: European Reference Index for the Humanities and Social Sciences (ERIHPLUS); Open Academic Journals Index (OAJI); Red Iberoamericana de Innovación y Conocimiento Científico (REDIB)

561.#.#.u: http://www.filos.unam.mx/

650.#.4.x: Artes y Humanidades

336.#.#.b: article

336.#.#.3: Artículo de Investigación

336.#.#.a: Artículo

351.#.#.6: http://revistas.filos.unam.mx/index.php/anuariodeletrasmodernas

351.#.#.b: Anuario de Letras Modernas

351.#.#.a: Artículos

harvesting_group: RevistasUNAM

270.1.#.p: Revistas UNAM. Dirección General de Publicaciones y Fomento Editorial, UNAM en revistas@unam.mx

590.#.#.c: Open Journal Systems (OJS)

270.#.#.d: MX

270.1.#.d: México

590.#.#.b: Concentrador

883.#.#.u: https://revistas.unam.mx/catalogo/

883.#.#.a: Revistas UNAM

590.#.#.a: Coordinación de Difusión Cultural

883.#.#.1: https://www.publicaciones.unam.mx/

883.#.#.q: Dirección General de Publicaciones y Fomento Editorial

850.#.#.a: Universidad Nacional Autónoma de México

856.4.0.u: http://revistas.filos.unam.mx/index.php/anuariodeletrasmodernas/article/view/684/1203

100.1.#.a: Aguilar De León, Armando

524.#.#.a: Aguilar De León, Armando (2008). Des angles et des contours dans História do Cerco de Lisboa (une lecture parmi tant d"autres). Anuario de Letras Modernas; Vol. 14, 2007-2008; 169-180. Recuperado de https://repositorio.unam.mx/contenidos/4124730

245.1.0.a: Des angles et des contours dans História do Cerco de Lisboa (une lecture parmi tant d"autres)

502.#.#.c: Universidad Nacional Autónoma de México

561.1.#.a: Facultad de Filosofía y Letras, UNAM

264.#.0.c: 2008

264.#.1.c: 2009-07-31

506.1.#.a: La titularidad de los derechos patrimoniales de esta obra pertenece a las instituciones editoras. Su uso se rige por una licencia Creative Commons BY-NC-ND 4.0 Internacional, https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.es, para un uso diferente consultar al responsable jurídico del repositorio por medio del correo electrónico difusionffl@gmail.com

884.#.#.k: http://revistas.filos.unam.mx/index.php/anuariodeletrasmodernas/article/view/684

001.#.#.#: 015.oai:ojs.pkp.sfu.ca:article/684

041.#.7.h: spa

520.3.#.a: This paper analyzes the narrative structure and the literary elements that give Saramago’s novel its postmodern features, focusing in the plot and its uchronic perspective in order to appreciate the sci-fi dimension that the historical events take through the narrative. Our discussion examines the action of the principal character, Raymundo Silva, who proofreads a historical work titled The History of the Siege of Lisbon and decides to deny an important fact: "the crusaders did (not) help the Portuguese forces against the Moorish army". Added to the historical work, this não ("not", in portuguese) produces a disruption over the ‘real’ temporary line. In consequence, the city of Lisbon, at the centre of a meteorological phenomenon, slides in between the medieval siege and contemporary life. Thus, the historical subject resorts to a science fiction procedure: uchrony. Two intradiegetic symbols -the circle and the deleatur- represent the two overlapped universes; the circle refers to the historical world and the deleatur symbolizes the uchronic universe. Therefore, História do cerco de Lisboa is not a sci-fi work, but a postmodern historiographical metafiction.

773.1.#.t: Anuario de Letras Modernas; Vol. 14: (2007-2008); 169-180

773.1.#.o: http://revistas.filos.unam.mx/index.php/anuariodeletrasmodernas

046.#.#.j: 2021-11-25 00:00:00.000000

022.#.#.a: ISSN impreso: 0186-0526

310.#.#.a: Semestral

300.#.#.a: Páginas: 169-180

264.#.1.b: Facultad de Filosofía y Letras, UNAM

doi: https://doi.org/10.22201/ffyl.01860526p.2008.14.684

handle: 74907db375004bce

harvesting_date: 2023-06-20 16:00:00.0

856.#.0.q: application/pdf

file_modification_date: 2021-04-28 15:57:40.0

file_name: 1b4cdeec0e594ffd4e573158b0d44faa935d5de388eec6df02873eb040133995.pdf

file_pages_number: 12

file_format_version: application/pdf; version=1.6

file_size: 393479

last_modified: 2023-06-20 16:00:00

license_url: https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.es

license_type: by-nc-nd

No entro en nada

No entro en nada 2

Artículo

Des angles et des contours dans História do Cerco de Lisboa (une lecture parmi tant d"autres)

Aguilar De León, Armando

Facultad de Filosofía y Letras, UNAM, publicado en Anuario de Letras Modernas, y cosechado de Revistas UNAM

Licencia de uso

Procedencia del contenido

Entidad o dependencia
Facultad de Filosofía y Letras, UNAM
Revista
Repositorio
Contacto
Revistas UNAM. Dirección General de Publicaciones y Fomento Editorial, UNAM en revistas@unam.mx

Cita

Aguilar De León, Armando (2008). Des angles et des contours dans História do Cerco de Lisboa (une lecture parmi tant d"autres). Anuario de Letras Modernas; Vol. 14, 2007-2008; 169-180. Recuperado de https://repositorio.unam.mx/contenidos/4124730

Descripción del recurso

Autor(es)
Aguilar De León, Armando
Tipo
Artículo de Investigación
Área del conocimiento
Artes y Humanidades
Título
Des angles et des contours dans História do Cerco de Lisboa (une lecture parmi tant d"autres)
Fecha
2009-07-31
Resumen
This paper analyzes the narrative structure and the literary elements that give Saramago’s novel its postmodern features, focusing in the plot and its uchronic perspective in order to appreciate the sci-fi dimension that the historical events take through the narrative. Our discussion examines the action of the principal character, Raymundo Silva, who proofreads a historical work titled The History of the Siege of Lisbon and decides to deny an important fact: "the crusaders did (not) help the Portuguese forces against the Moorish army". Added to the historical work, this não ("not", in portuguese) produces a disruption over the ‘real’ temporary line. In consequence, the city of Lisbon, at the centre of a meteorological phenomenon, slides in between the medieval siege and contemporary life. Thus, the historical subject resorts to a science fiction procedure: uchrony. Two intradiegetic symbols -the circle and the deleatur- represent the two overlapped universes; the circle refers to the historical world and the deleatur symbolizes the uchronic universe. Therefore, História do cerco de Lisboa is not a sci-fi work, but a postmodern historiographical metafiction.
Idioma
spa
ISSN
ISSN impreso: 0186-0526

Enlaces