La titularidad de los derechos patrimoniales de esta obra pertenece a las instituciones editoras. Su uso se rige por una licencia Creative Commons BY-NC-ND 4.0 Internacional, https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.es, para un uso diferente consultar al responsable jurídico del repositorio por medio del correo electrónico anliie@unam.mx.
Ver términos de la licenciaVelázquez Guadarrama, Angélica (1998). Castas o marchitas. "El amor del colibrí y "La flor muerta" de Manuel Ocaranza. Anales del Instituto de Investigaciones Estéticas; Volumen XX, número 73, año 1998; pp. 125-16. Recuperado de https://repositorio.unam.mx/contenidos/8380
Autor(es)
Velázquez Guadarrama, Angélica
Tipo
Artículo de Investigación
Área del conocimiento
Artes y Humanidades
Título
Castas o marchitas. "El amor del colibrí y "La flor muerta" de Manuel Ocaranza
Fecha
1998-08-06
Resumen
Angélica Velázquez rebuilds in this article the vision of the “faded woman”, character who dominated in the sphere of the Mexican Romanticism during the last years of the 19th- century. She has based her search on the reading of two paintings by Manuel Ocaranza and explains what she calls the pervert fascination, meaning the feeling that lead the faded woman to construct the idea of the masculine imaginary. The article then, analyzes the roll of the woman in a period that transformed the values of the colonial society into the values of the Liberal Republic. She bases on different sources such as iconography analysis, literary documents to support the artistic demonstrations, and documents that are contemporary to the epoch she studies. The author explains the process by which the painting and the novel adopted the genre style, the one that portrays the prevailing customs.
Tema
Arte Moderno
Idioma
spa
ISSN
ISSN electrónico: 1870-3062; ISSN impreso: 0185-1276
DOI
https://doi.org/10.22201/iie.18703062e.1998.73.1822
